bhigginbotham
09-28-2007, 01:52 PM
I have a few random questions about the Tricaster studio. Before I ask I thought I would mention what we're using it for, and if anyone has any comments as to workflow or additional items I'll need, please let me know.
Use
We're thinking of starting a live streaming Internet channel in Flash with on-demand access in h.264 MPEG4 encapsulation. Right now we use a program called CamTwist (http://allocinit.com/index.php?title=CamTwist) on Mac OS to add some pretty basic lower thirds and RSS tickers into the live stream but it really falls down when I want to do a live camera switch, double hop or DDR roll. I have a couple of HVX200's I was planning on putting into SD mode and running component into the Tricaster. I was also thinking of covering events like CES/NAB/MacWorld (maybe) and doing live interviews/streams from the show floor, so the system needs to be portable with opens/closes and lower thirds already pre-produced and ready to go.
Questions
1 - I think I read somewhere that there are no on-screen preview monitors. If this is true is there a monitor loop for each camera or do I have to daisy chain in and out of a preview monitor (um, yuck). How can I do a super-portable and easy previewing solution?
2 - Could someone possibly paste a screenshot of the Tricaster Studio interface so I have an idea of what I'm looking at in a live environment. I realize there are probably a ton of different interfaces, I'm primarily just interested in live. I wasn't able to find screenshots on the NewTek web site. Am I missing a demo video or something? Speaking of, is there a demo video or training guide I can get my hands on so I know what I'm getting in to?
3 - I'm a bit of a traditionalist, so I like to have the hardware control surface when possible. Is the VM worth it and will it work on the Studio? Seems like it's missing inputs.
4 - Do I need to genlock my sources prior to bringing them in to the system? If not I assume there's a frame sync and with it a frame delay. What would that delay be?
5 - What is the best way to get the output of the Tricaster into a live Flash stream? Will I be forced to take a DV bridge from the program out and run it in to my MacBook or is there a clever hack to get it to stream live to flash right from the interface? We don't really care about Windows Media, in our world the format is all but dead. Once Flash comes out with their h.264 options, we'll probably be an all h.264 shop.
6 - Speaking of h.264, can I output the recorded video as an h.264 MPEG4 encapsulated video for on-demand distribution after the fact? How do I get these files off the computer.
7 - Can I tell the iVGA software to capture only a portion of the screen? If I want to bring in a Skype video conversation as an input into the switcher would using iVGA be better than a scan convert or the direct video output of a MacBook? Can iVGA keep up?
8 - How loud is the unit? Will sensitive mics near the Tricaster pick up fan noise?
9 - Does the Tricaster support 16:9 sources, or is it just cutting off 4:3 video to make it look like 16:9? In other words, can I throw the unit into a true 16:9 mode where a circle effect will still be a circle and the inputs are actually 16:9 sources not cut down 4:3. Any sort of auto-letterboxing or anything related to 16:9 output?
10 - Is there any virtual M/E bus or something that would make me feel a wee bit more at home?
I'm a switcher snob and if I had an unlimited budget and size wasn't a concern I would love to have a Sony MVS-8000 series with the full 3.5 M/E control surface (http://pro.sony.com.hk/product/spec/photo/hires/mvs-8000asf.jpg). Barring that I start moving down the chain, GVG, Ross, AnyCast, etc. The nice thing about the AnyCast (http://bssc.sel.sony.com/BroadcastandBusiness/minisites/anycast/anycastnew.shtml) is that it's uber portable and has on-screen previews for everything. The CG sucks and the DDR leaves a bit to be desired, oh and it's 2x the cost of a Tricaster Studio. Nevertheless, it is cool. How would one compare the Tricaster Studio to the Sony AnyCast?
Thanks for the advise in advance and I look forward to being super sold on the Tricaster :) :newtek: :tcicon:
Use
We're thinking of starting a live streaming Internet channel in Flash with on-demand access in h.264 MPEG4 encapsulation. Right now we use a program called CamTwist (http://allocinit.com/index.php?title=CamTwist) on Mac OS to add some pretty basic lower thirds and RSS tickers into the live stream but it really falls down when I want to do a live camera switch, double hop or DDR roll. I have a couple of HVX200's I was planning on putting into SD mode and running component into the Tricaster. I was also thinking of covering events like CES/NAB/MacWorld (maybe) and doing live interviews/streams from the show floor, so the system needs to be portable with opens/closes and lower thirds already pre-produced and ready to go.
Questions
1 - I think I read somewhere that there are no on-screen preview monitors. If this is true is there a monitor loop for each camera or do I have to daisy chain in and out of a preview monitor (um, yuck). How can I do a super-portable and easy previewing solution?
2 - Could someone possibly paste a screenshot of the Tricaster Studio interface so I have an idea of what I'm looking at in a live environment. I realize there are probably a ton of different interfaces, I'm primarily just interested in live. I wasn't able to find screenshots on the NewTek web site. Am I missing a demo video or something? Speaking of, is there a demo video or training guide I can get my hands on so I know what I'm getting in to?
3 - I'm a bit of a traditionalist, so I like to have the hardware control surface when possible. Is the VM worth it and will it work on the Studio? Seems like it's missing inputs.
4 - Do I need to genlock my sources prior to bringing them in to the system? If not I assume there's a frame sync and with it a frame delay. What would that delay be?
5 - What is the best way to get the output of the Tricaster into a live Flash stream? Will I be forced to take a DV bridge from the program out and run it in to my MacBook or is there a clever hack to get it to stream live to flash right from the interface? We don't really care about Windows Media, in our world the format is all but dead. Once Flash comes out with their h.264 options, we'll probably be an all h.264 shop.
6 - Speaking of h.264, can I output the recorded video as an h.264 MPEG4 encapsulated video for on-demand distribution after the fact? How do I get these files off the computer.
7 - Can I tell the iVGA software to capture only a portion of the screen? If I want to bring in a Skype video conversation as an input into the switcher would using iVGA be better than a scan convert or the direct video output of a MacBook? Can iVGA keep up?
8 - How loud is the unit? Will sensitive mics near the Tricaster pick up fan noise?
9 - Does the Tricaster support 16:9 sources, or is it just cutting off 4:3 video to make it look like 16:9? In other words, can I throw the unit into a true 16:9 mode where a circle effect will still be a circle and the inputs are actually 16:9 sources not cut down 4:3. Any sort of auto-letterboxing or anything related to 16:9 output?
10 - Is there any virtual M/E bus or something that would make me feel a wee bit more at home?
I'm a switcher snob and if I had an unlimited budget and size wasn't a concern I would love to have a Sony MVS-8000 series with the full 3.5 M/E control surface (http://pro.sony.com.hk/product/spec/photo/hires/mvs-8000asf.jpg). Barring that I start moving down the chain, GVG, Ross, AnyCast, etc. The nice thing about the AnyCast (http://bssc.sel.sony.com/BroadcastandBusiness/minisites/anycast/anycastnew.shtml) is that it's uber portable and has on-screen previews for everything. The CG sucks and the DDR leaves a bit to be desired, oh and it's 2x the cost of a Tricaster Studio. Nevertheless, it is cool. How would one compare the Tricaster Studio to the Sony AnyCast?
Thanks for the advise in advance and I look forward to being super sold on the Tricaster :) :newtek: :tcicon: